I’d bought the Elvis Costello-produced Rum, Sodomy & The Lash almost as soon as it arrived on these shores as an import, having been hipped to the band’s brilliance in the pages of UK music papers Melody Maker and New Musical Express. “Up there with Springsteen, Ramones and the Byrds?” he replied, grinning like I’d totally made his day, but with one eyebrow raised as if he wasn’t entirely sure that I wasn’t yanking his chain. He mostly wanted to talk baseball - I was wearing some throwback jersey or another at the time - but I managed to work my love of Frontier Days into the conversation, and tell him how important the album had been to my development as a guitarist. Many years later, I was pleasantly surprised to find Scott Kempner working behind the counter at Amoeba Records in LA. Up until that point, Bruce Springsteen’s Darkness on the Edge of Town, the Ramones’ Rocket to Russia and the Byrds’ Greatest Hits were the only albums I owned that I could semi-convincingly strum along to all the way through Frontier Days, which in retrospect was kind of a blend of those three records, became my fourth. Scott Kempner, who wrote the bulk of the album’s songs (though everybody in the band got at least one turn at the mic), clearly loved classic rock n’ roll chords, and he and lead guitarist Eric Ambel played ‘em cleanly enough that I could make out exactly what they were doing. Just a few days later, Rolling Stone Records (which may or may not have changed its name to Rock Records by then) in downtown Chicago came through for me, as it did so often in those years.īest of all, for a budding guitarist like myself, was the fact that the album’s songs were all pretty easy to learn and play along with. My knowledge of music history still far outstripped my actual listening experience at this point I hadn’t heard the Dictators or the Flamin’ Groovies yet, but I’d heard of them and knew they were considered “important” - so when both of those names were referenced in the album’s review, I made a mental note to keep an eye out for Frontier Days in the bins. ![]() I came relatively late to Frontier Days, not finding out about it until the autumn of 1984, when I read a review of the album in (I think) the pages of CREEM magazine, a rock rag I read religiously in those days. And now that the sad passings of the former’s Scott “Top Ten” Kempner and the latter’s Shane MacGowan have both happened this week, they will be henceforth further fused together in my mind. But I always associate them as being from the same period of my life, a period of insatiable hunger for new music that was both fed and further stimulated by my equally insatiable reading of whatever music-related periodicals I could get my hands on. It was first released on the album "BRAVO The Hits 2018" in 2018.If the internet is to be believed, these two albums came out nearly a year and a half apart from each other - the Del-Lords’ Frontier Days on March 20, 1984, and the Pogues’ Rum, Sodomy & The Lash on August 5, 1985. You can also try D (down) if the suggested pattern is hard for you. I'm Still Here ukulele strumming pattern is D - DU - DU - DU. How Do You Strum I'm Still Here On Ukulele? You will play the, ,, ,, ukulele chords while playing I'm Still Here with your ukulele in the G key, original tone of the song. What Are The Chords For I'm Still Here On Ukulele? Click here to start playing I'm Still Here on your ukulele now., ,, ,, are the ukulele chords for playing I'm Still Here with the original key ( G) on ukulele.D - DU - DU - DU is the suggested strumming pattern for this Sia song.The original key of I'm Still Here is G.I'm Still Here is considered under Pop genre. It was released in 2018 on the album, titled "BRAVO The Hits 2018". ![]() Or play Top 10 ukulele chords on ukulelearn↓Ībout I'm Still Here Artist and Song: Sia - I'm Still Here Album: BRAVO The Hits 2018 Genre: Pop Year: 2018 Difficulty: Moderate Tuning: G C E A Key: G Chords:, ,, ,, Strumming: D - DU - DU - DU About Sia - I'm Still Here Ukulele Chords & Strumming Pattern"I'm Still Here" is a song by Pop artist Sia. I’m winning from ego, I’m lighting the long way home I win against ego, cast light on the shadow’s long Watch tears while they fall down, I’m winning the war now I’m winning the war now, I’m winning it all now Oh the past torment ed me, but the battle was lost. I’m fighting for me though, I’m lighting the long way home I’m fighting my ego, lost youth where did we go wrong Herd fears like they’re cattle, I’m fighting a battle, yeah I’m fighting a battle, I’m fighting my shadow
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